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August 13, 2017 Art, Composition, Technique No Comments


This photograph was created during the 2012 Eclipse of the Sun.

The photograph was taken from the Island in the Sky viewpoing in Canyonlands National Park, not that it matters since you cannot tell from the photo where it was taken.

I used a 250mm lens on my medium format digital camera. The image was cropped during processing. #eclipse #canyonlands


Alain Briot



The power of marketing

The reason why most photographers can’t make a living from their work is because huge efforts are necesary to convince them to spend money on marketing but no efforts are required to get them to spend their money on cameras and gear.  The problem is that just about any camera can take a sellable photograph, but no photograph will be sold unless they are marketed in a convincing manner.

What made me successful selling my work is I decided to reverse this process: I stopped spending my money on cameras and started spending it on marketing instruction instead. ”
Alain Briot

A best seller
The quote above sums up what I often say when I talk about the importance of learning marketing when you want to make a living selling your work.

In 2007 I published my 3rd book on photography.  Titled Marketing Fine Art Photography, it focused on teaching readers how to market their fine art photographs. The book was, and continues to be, a huge success with photographers and entrepreneurs.  It sold tens of thousands of copies, received rave reviews, has a 5 star out of 5 stars ranking on Amazon, and is regularly featured as best-selling photography business and marketing book.

What is most interesting is I could not predict how successful this book was going to be.  The two photography books I published previously focused on the art of photography: composition, light, cameras, etc.  When I told  my publisher that I wanted to write a book on marketing, their response was negative. They believed that no one would be interested in learning how to market fine art photographs.

Today everyone is a photographer and everyone want to sell their work
2007 is a long time ago.  However the publishers were obviously wrong.  Today ‘everyone’ is a photographer and many want to know how to make money from their photography.  For most the goal is to recoup the cost of their equipment, software and consumable.  However this is just the tip of the iceberg.  Many have a more powerful and personal reason: to learn how to make a living from their art.  For these photographers, making a living from their artwork is a dream they want to make come true.  This is why they buy my book.

This is great but there is a caveat to that situation.  The fine art market is a small market and when tens of thousands of photographers try to make a living in that market they create a bottleneck situation.  Quite simply there are too many photographers trying to make a living from too small of an audience.   In other words, while the number of photographers trying to sell their fine art photography has exploded, the audience interested in buying fine art photography has not grown any larger.  In fact, the audience has actually shrunk.  It has been significantly reduced by the economic recession we just went through and out of which we have not totally emerged yet. Quite simply: people don’t have as much disposable income as they used to.  Because it is disposable income that is used to buy fine art for the most part, the sale of fine art has decreased significantly.

The consequences brought by this economic situation are simple: only a very small number of photographers actually succeed in making a living selling their work.  For all the other photographers, sales are just too few and far in between to justify their efforts and their financial investment.  As a result, many photographers quit after a couple of months or a couple of years at the most.  In the process of trying to sell their work unsuccessfully, they usually waste a huge amount of time and money.

Back to my book
Going back to my book, this means that if you want to learn how to sell your fine art photography in today’s economy, you need to be realistic regarding how much my book can do for you.  You must know exactly what it can and cannot do for you.  What it can do is give you a  foundation on which to build your business.  This is because my  book contains solid marketing advice and can be used as a manual.

What it won’t do is teach you how to be successful selling your work in today’s economy.  This is because my book was written in 2006, before the recession started.  As I mentioned, many things have changed since 2006.  Today everyone is a photographer and many want to sell their work.  Today money is tigher because customers think more about what they buy. Before the recession people bought freely.  Today people are more careful about what they buy.  They also have less disposable income as I mentioned. Because artwork is usually purchased with disposable income, artwork purchases have declined.

These are very important changes that directly affect how successful you can be  selling your fine art photography today.  However, it is still possible to make a living, even a very good living, selling fine art photography today.  But, to do so one needs to use a new approach to marketing, one different from before, one that I call a post-recession approach.

Introducting The Fine Art Photography Marketing and Business Success Seminar
I describe this approach in my new Fine Art Photography Marketing and Business Success Seminar.  The goal of the Seminar is to go beyond my  marketing books.  None of the materials featured in the Seminar are featured in my books.

When considering the cost of the seminar what I often learn from photographers who contact me looking for help with their marketing is that ‘this is a lot of money for a starving artist.’  Fact is, you are only starving if you cannot eat.  This is the true meaning of the term.  If you can buy food, or can afford to purchase camera gear and travel to exotic locations for photography, what we are talking about in regards to ‘starving’ is a matter of resource allocation.

In other words you prefer to spend your money on cameras and on photographing exotic locations than on learning how to market your work with a professional who made millions selling fine art photographs for over 15 years.   As I always say, this is a free country do I don’t see a problem with this choice.  However, I do see a problem with expecting to be successful selling your work on the basis that you use  fancy cameras and photograph exotic locations. You need to do a lot more than that to sell your work!  Beautiful photographs simply don’t sell themselves.  You need to be actively involved and you need to use the latest marketing techniques to be successful.

You may say ‘that’s easy for you to say because you’re the one selling it but I’m the one buying your materials. At the end of the day you’re the one making money here.’  That’s true and I won’t argue with that.  However, what I will argue with is that what made me a successful photographer selling my work and living my dream of making a living from my photography, is that I did invest a huge amount of money in learning how to market my work.  In fact I  invested more money than you ever will! To this day I invested over 25 thousand dollars in consulting fees (I did the math),  paid to professional marketing experts who helped me get to where I am now.  What would have happened if I did not do that?  Simple: I wouldn’t be where I am.  When asked ‘what is the one thing that made you successful’, a question I get very frequently, my answer is always the same: what made me successful was learning how to market my work.

You may also ask: where did you find the money?” That’s an excellent question because as I was learning marketing I was actually a ‘starving’ artist.  But starving is an expression, not a fact.  As I pointed out earlier on, unless you have nothing to eat, you are not starving.  I had something to eat, and I had credit cards, so what we were talking about was resource allocation, not unavailability of funds.  What I did was quite simple:  I decided to spend my money, whatever amount I had, on paying people to teach me marketing rather than on buying new cameras, lenses, software, etc.  I also decided not to spend my money on  photography trips to exotic locations.

Instead of going to Namibia to photograph, for example, I stayed home and photographed locations that were nearby.  Instead of buying new cameras, I continued using the ones I had.  My cameras worked just fine and they made photographs that were just as pleasing to my customers.  The locations I photographed locally were just as beautiful as far away ones and sold just as well once I learned how to market them.  In other words, not having new  cameras, and not having access to exotic locations , was not the problem.  The problem was not having marketing knowledge.  Without that knowledge I couldn’t sell my work because photographs can’t sell themselves, no matter how good the cameras you used might be, and not matter how great the locations you photographed actually are.

Holding on to financial resources is not always wise
Another response I get is ” I am trying to hold on to all of my financial  resources at the moment  in order to pay for printing, new business cards, art cards etc. ”  To which I usually answer: ‘which may all be for nothing if you don’t know what you are doing!’

Fact is, it is common for beginners to waste their money on things they believe they need to sell their work such as business cards, art cards, etc.  Furthermore, they often order high quality prints, four-color offset or better, to make their materials more impressive.
But impressive materials don’t sell artwork.  They get you compliments but they don’t get you sales.
Fact is, the best marketing is inexpensive or simply free. If this sounds counter-intuitive that’s because it is.  In fact,  most aspects of successful marketing are counter intuitive.  This is why this marketing is so difficult to figure out.  As an example my most profitable marketing material, the one that brought me millions in sales, is a black and white xerox copy.  Even today, now that I can afford the finest marketing materials, I continue to use it because it works so well.  It’s not how it is printed that matters.  It’s what is printed on the page.  Knowing what to write is the million dollar secret!

Boosting your self confidence is not marketing your work
Most photographers’ idea of marketing comes from having low self-confidence when it comes to selling their work.  They do all sorts of costly things to boost their level of confidence in their work.   For the most part, these things are aimed at making their work appear legitimate.  As I just mentioned, they include costly-looking business cards, four color brochures and art-cards, expensive displays, sophisticated framing and print presentation.  By making their work look like a million bucks they expect people to fork over their hard earned money.  Unfortunately, this is not how marketing works.  In fact, this is not how any of this works.

The other problem is that these  marketing materials cost a lost of money, money that is no longer available for real marketing.  If done well these materials can certainly look impressive. However,  by themselves these things  do nothing to make fine art photographs  sellable.  Just because something is impressive does not make it sell. There are many impressive products out there, but it is not the fact they are impressive that makes them sell. It is the marketing used by the companies who own these products that makes them sell.  Ferraris are impressive and so are Rolex watches, Versace clothing, Dior beauty products, Vuitton bags and many more luxury products.  However, the reasons why these products sell goes way beyond their impressive presentation.The impressive presentation and marketing materials are only the tip of the iceberg.
What makes these products sell is the complex marketing strategies used by these companies.  These strategies are not visible to us.  They are hidden by the impressive presentation.  The presentation is where most people stop looking.   What lies behind the impressive presentation is where I start to look.  The presentation doesn’t really matter.  Anyone can do that if they have enough money.  The marketing machine that lies behind this presentation is all I care about because this is hard to do.  It is this machine what I teach.  It  how to construct it and make it run that I teach.  I do this because that is what will make you successful.

Learn what Real marketing is
There is a lot to marketing and as I said much of it is counter-intuitive.  The best approach is to start by learning the correct approach right away.  This is because it is much more difficult to correct mistakes than to do the right thing immediately.  In fact, in some instances it is impossible to correct mistakes.  The goal of the Fine Art Photography Marketing and Business Success Seminar is to prevent you from making mistakes.  Never forget that there are thousands of new photographers trying to sell their work every month.  There are your competitors. They come in  huge numbers and they are hungry.  Most of them read my books, but because I sell so many books, the books are no longer enough to make you or them successful.

This is why I created the Fine Art Photography Marketing and Business Success Seminar.  Because of its cost, this seminar is attended only by a small number of photographers.  Attending it therefore gives you a huge advantage.  Think of the Fine Art Photography Marketing and Business Success Seminar as being the access point to privileged knowledge that gives you the edge you need to compete successfully in the fine art market and outdo other photographers.

Don’t get it wrong: your competition is using my services and I make sure they are successful!  That’s bad news. However, I can do the same for you and make you just as successful. That’s the very good news!

The power of marketing comes from doing something that others are not doing.  The purpose of attending the Seminar is to give you this power by giving you access to knowledge that, first, is not widely disseminated and second is tailored specifically for you with the goal of giving you the power to master the market, take control of your own destiny and make your dream a reality.

Here are the link to  The Fine Art Photography Marketing and Business Success Seminar

Be good at marketing what you do, not just good at what you do!

February 2, 2017 Marketing, Success, Technique No Comments

Be good at marketing what you do,
not just good at creating photographs !

1 – Introduction
To make a living in photography, or in any business, you must be good at marketing and selling what you do, not just good at what you do.

When I started doing photography full time, hoping to make a living from it, all the other photographers were telling me that if I did great work sales would follow.  I heard that in school, I heard it from other professionals and I heard it fom competitors.  Problem is that wasn’t true and the people who were telling me that were not being successful selling their work. In fact, some were not even selling their work at all, they were just telling me what they thought I should do without having done it themselves!

To be successful selling my work I needed to change from being a creator of photographs to being a marketer and seller of photographs.

2 – Have an effective lead generation system
This means you have to find customers regularly.  This is achieved by having an effective lead generation system.

Just like a plant needs a source of food and water, a business needs a source of customers and buyers.  This is because customers are the lifeblood of a business.  The question is, where do you find customers?  The answer is simple: you find customers by having an effective and constant lead-generation system.  This system is to your business what food and water is to a plant, or to any living organism.  Without it you will not have a business for very long, if you have one at all!

3 – Don’t get confused by superficial ‘success’
Many photographers who claim being successsful selling their work do not actually make money. What they consider success is being accepted in a gallery (wihout any promise of sales), or receiving an award (without financial compensation),  or having their work included in a museum collection (through a donation, not a purchase) or something similar.    I recently read a photographer’s post on Facebook in which the person mentions having his work accepted for representation by a significant institution, then continues by explaining that he ‘just finished framing the door between the wine cellar and woodworking workshop.’  While both are interesting news, the second part indicates that money is not the reason why this person is selling his work.  Therefore, the marketing approach used by this person is not necessarily money-oriented.  In fact, in this specific instance, the goal is more about prestige than about income. Today I spend hardly any money marketing my work but I spent over 25k in consulting fees over the year to learn how to do it.   Spending my money paying experts to reveal their knowledge to me privately is what made me successful.

Something  I recommend  is your 1 on 1 consulting and your Advanced Marketing Mastery Workshop on DVD.  I have included the link below.  The reason being that the books won’t give you answers specific to your personal situation because they address a very large audience.  In order to figure out how to price your own work the best is to do consulting.

In regards to limited editions, I don’t cover that in my books.  I cover it only in the Fine art Photography Business and Marketing Success Seminar and in the Advanced Marketing Mastery Workshop on DVD.

Alain Briot


About Alain Briot
I create fine art photographs, teach workshops and offer DVD tutorials on composition, image conversion, optimization, printing and marketing. I am the author of Mastering Landscape Photography, Mastering Photographic Composition, Creativity and Personal Style and Marketing Fine Art Photography. All 3 books are available as printed books on Amazon.com and as eBooks on my website at this link: http://beautiful-landscape.com/Ebooks-Books-1-2-3.html

You can find more information about my work, writings and tutorials as well as subscribe to my Free Monthly Newsletter on my website. To subscribe simply go to http://www.beautiful-landscape.com and click on the Subscribe link at the top of the page. You will receive 40 free essays in eBook format immediately after subscribing.

I welcome your comments on this essay as well as on my other essays. You can reach me directly by emailing me at alain@beautiful-landscape.com.

Alain Briot

How to reach your full potential

February 1, 2017 Art, Success, Technique, Workshops No Comments

How to Reach your Full Potential

Our focus for all our instructional materials is to help you realize your full potential by showing you how to raise your standards.  There is always another level to reach and we all need help finding out what that next level is and what we need to do to get there.

There’s only so far we can get on our own. There comes a time when we need a mentor.  All successful people have a personal mentor, or mentors. I have several and without them I would not be where I am.  I would have continued to follow the process of making ‘expensive mistakes’ and follow the route of ‘expensive learning’.  My mentors saved me money by preventing me from doing the same mistakes over and over again.  I could not see these mistakes on my own because I did not see them as mistakes at all.  I believed that doing these things was helping me move ahead!

What we do during workshops is what we cannot do in my books: help you personally by reviewing your work, reviewing your workflow, improving your specific way of doing things, and pointing out the areas where you can make the greatest change right here right now.  Books can’t do that because they address a multitude of readers.  Only personal teaching can achieve this goal.

About Alain Briot

I create fine art photographs, teach workshops and offer DVD tutorials on composition, image conversion, optimization, printing and marketing. I am the author of Mastering Landscape Photography, Mastering Photographic Composition, Creativity and Personal Style and Marketing Fine Art Photography. All 3 books are available as printed books on Amazon.com and as eBooks on my website at this link: http://beautiful-landscape.com/Ebooks-Books-1-2-3.html

You can find more information about my work, writings and tutorials as well as subscribe to my Free Monthly Newsletter on my website. To subscribe simply go to http://www.beautiful-landscape.com and click on the Subscribe link at the top of the page. You will receive 40 free essays in eBook format immediately after subscribing.

I welcome your comments on this essay as well as on my other essays. You can reach me directly by emailing me at alain@beautiful-landscape.com.

Alain Briot

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Fourteen Commandments for Fine Art Photography Marketing

The more informative your advertising, the more persuasive it will be.
David Ogilvy

Marketing is a challenge for most photographers. This is because it has very little to do with creating art. Many artists abhor marketing their work. Most have never studied marketing. I know. I was one of those artists. When I started selling my work I believed that marketing was putting a price tag on my work. No, cross that, because at first I did not even use price tags! Just deciding what price to charge for my work was was I considered to be marketing.

My early attempts at selling my work were rather disappointing to say the least. The lack of sales forced me to change my mind. I realized I had to study marketing or die trying to make a living as an artist. I did, and to make a long story short I became financially successful selling my work, making a six figure income only two years after taking the decision to embrace marketing.

In 2011 I published a book titled Marketing Fine Art Photography in which I detail how to market your fine art photography successfully and profitably. I wrote this book to save you from having to go through the tribulations I went through early in my career. The goal was to save you from having to attend the school of hard knocks, an institution whose door is better left unopened.

About this essay
The goal of this essay is not to repeat what I say in my book. The book is over 300 pages long and has 23 chapters so doing so would not be doable in a web essay anyways. Instead, the goal of this essay is to introduce you to some of the fundamental concepts of marketing. I selected 14 that I consider to be the most important. There are more, but those are a good start. The goal is also to get you interested in reading my book. The money you will spend buying it will be a minor expense compared to how much more money you will make if you do what I say in the book. Does this sound like a sales pitch?  You bet it does!  I am asking for the sale and if you wonder why you need to go directly to paragraph number 7.

About the 14 commandments below
Each of the 14 paragraphs below consist of a title followed by a short statement, usually one or two sentences long. The reason for these brief statements is to keep this essay interesting and to the point. If the information I am presenting here is not for you, then reading these will not have taken much of your time. If, on the other hand, you like the materials presented here and want to learn more about each of the 14 aspects of marketing listed below, then you need to purchase and read my book. Each of these points, and much more, are addressed in detail in my book, together with examples, photographs and more.

1 – Sell quality, not quantity
Art is a luxury, not a commodity. Luxury items are sold on the basis of quality, not on the basis of quantity.

2 – Don’t sell on the basis of price, sell on the basis of uniqueness
To achieve this you will need to work hard at developing a personal style that is unique to you.

3 – Don’t be faceless: show yourself
At shows, be present in your booth. On the web, show a shoulder-up portrait of yourself on your website, on your artist statement, on your Facebook page and everywhere else you have a presence and sell your work.

4 – Increase your prices regularly
Everything increases in price and therefore so do your expenses. If you don’t increase your prices you eventually reduce your income.

5 – Don’t be passive:  take charge of your business
Enforce your policies and don’t try to be all things to all people.

6 – Think like a business owner
Think like a business owner, not like an employee. Business owners are responsible risk takers.

7 – Ask for the Sale
Don’t let potential customers walk away without trying to close the sale. The least often asked question in sales is ‘do you want to purchase this product or service?’ Make it your most often asked question!

8 – Know your audience
You are not selling to a faceless crowd, you are selling to people who like you and your work. Learn who they are and know why they like what you do.

9 – Sell emotion
Sell emotions, not gear and technique. People purchase photographs for emotional reasons, not logical reasons. Print size, camera used, printer, ink paper, etc. do not sell photographs. Beauty, emotional impact, meaningfulness and other emotional reasons do.

10 – Never stop marketing
Market when business is great and market when business is poor!

11 – Believe in Yourself
Believe that you can. Whether you believe you can do it, or whether you believe you cannot do it, you are correct!

12 – Show what you want to sell
You sell what you show. Therefore show what you want to sell. You can’t show all the photographs you have taken, so you will need to make a selection!

13 – Offer packages
Packages always outsell a la carte. This means that a package price for 3 or more photographs, for example, will sell better than 3 single photographs. You can offer packages of photographs in any quantity from 2 to 10 or more.

14 – Attend my Marketing and Business success seminar
You can’t re-invent the wheel.  Well, let me restate that: you can try to reinvent the wheel, but what’s the point?  It has already been invented and it is best to use the one that’s already there.  Can you improve on it?  Sure, but you must have one first!

The ‘wheel’ in this instance are the techniques used to sell fine art photography successfully.  These are techniques I use (I am successful in case you don’t know me).  Not the techniques unsuccessful photographers use.

There a lot more unsuccessful fine art photographers than successful fine art photographers.  A lot more!

How do you know who is successful and who isn’t?  Look at prices and regularity of sales.  I sell fine art photographs at high prices and I do so on a constant basis, meaning I have regular, high-priced sales.

Why is that the key to success?  Because in fine art you make more money by charging more for your artwork.  You don’t make more money by charging low prices and making up the loss on volume.  That’s what unsuccessful photographers believe and try to do.  It does not work because there is no volume.

Selling art is a low volume business!  What happens if you lower your prices is you make less money, that’s all.  And because prices define how good you are (meaning people decide how good you are based on your prices), you lose most of the interested buyers.  They want quality and you don’t have it in their eyes.  Even though your work may be great, your prices say that it is not good.

So how do you ask high prices, get people to pay them, and get people tobuy from you regularly?  Not easy heh?  You may have tried so you know how hard it is.  The answer fits in 3 words: attend my seminar.  I’ll teach you how.  Here is the link to the description and registration information:


I even have a special offer to entice you to attend. Just keep in mind that by attending you are doing yourself a favor by giving yourself the keys to success. Of course I appreciate your business, but I will continue to do great whether you attend or not.  What matters is your well-being, not mine.  Do yourself a favor, make yourself a gift, and join me in learning how to outdo all the unsuccessful photographers out there.

15 – Buy my book

If you can’t make it to the seminar buy my book Marketing Fine Art Photography  because it expands on the concepts presented here. It is totally outdated compared to the seminar, and it won’t give you the techniques that work today, but it is a best seller and it will teach you the basics of success in selling art.  To be truly competitive in today’s economic environment you will need to attend the Seminar, but if you can’t attend for whatever reason this is a start:

Marketing Fine Art Photography by Alain Briot
eBook link
Physical book link

About Alain Briot
I create fine art photographs, teach workshops and offer DVD tutorials on composition, image conversion, optimization, printing and marketing. I am the author of Mastering Landscape Photography, Mastering Photographic Composition, Creativity and Personal Style and Marketing Fine Art Photography. All 3 books are available as printed books on Amazon.com and as eBooks on my website at this link: http://beautiful-landscape.com/Ebooks-Books-1-2-3.html

You can find more information about my work, writings and tutorials as well as subscribe to my Free Monthly Newsletter on my website. To subscribe simply go to http://www.beautiful-landscape.com and click on the Subscribe link at the top of the page. You will receive 40 free essays in eBook format immediately after subscribing.

I welcome your comments on this essay as well as on my other essays. You can reach me directly by emailing me at alain@beautiful-landscape.com.

Alain Briot
Get 40 Free eBooks when you sign up for my newsletter on my site

White Sands Sand Storm: How it was done

January 26, 2017 Art, Technique No Comments

White Sands Sand Storm: How it was done

This photograph was created during a blowing sandstorm at White Sands National Monument during the workshop Natalie and I lead there.  We are leading this workshop this year by the way, here is the link to the description page.

The challenge was being able to photograph during a blowing sandstorm. The photograph does not show the fierceness of the storm, it only shows its beauty. However, it was fierce.  The sand was blowing everywhere and we could barely see in front of us.  On the photo this translates as a slight beige hue which comes from the light being tinted by the sand color.

The advantage of photographing during the storm was that all the footprints had been erased and the sand ripples were constantly changing.  They were in motion in fact. If I had done a video instead of a photograph you would have seen the sand ripples moving in front of my feet.

This photograph was originally captured as an horizontal image. It was just easier to hold the camera horizontally than vertically.  A tripod was unthinkable because it would not have stood up to the force of the wind.

However I wanted a vertical image so I stretched the original capture vertically to achieve this goal. This elongated the sand ripples in the foreground, producing an effect much closer to what I experienced.  The image now makes me feel the way I felt when I saw the sand ripples move in front of me, the blowing sand whipping my legs and covering my clothing with a fine mist.  The camera captured the scene, the change in image format made a photograph express what I saw and felt.

Alain Briot



About Alain Briot

I create fine art photographs, teach workshops and offer DVD tutorials on composition, image conversion, optimization, printing and marketing. I am the author of Mastering Landscape Photography, Mastering Photographic Composition, Creativity and Personal Style and Marketing Fine Art Photography. All 3 books are available as printed books on Amazon.com and as eBooks on my website at this link: http://beautiful-landscape.com/Ebooks-Books-1-2-3.html

You can find more information about my work, writings and tutorials as well as subscribe to my Free Monthly Newsletter on my website. To subscribe simply go to http://www.beautiful-landscape.com and click on the Subscribe link at the top of the page. You will receive 40 free essays in eBook format immediately after subscribing.

I welcome your comments on this essay as well as on my other essays. You can reach me directly by emailing me at alain@beautiful-landscape.com.

Alain Briot
January 2017

After the Rain-how it was done

After the Rain : How this image was created


This image is a collage of 2 photographs. The camera I used wasn’t wide enough to capture all I wanted in 1 shot.

I could have used a wide angle attachment but it is huge and carrying it defeats the purpose of having a small lightweight camera. Collaging is easier. I like the technique so much that over 50% of my work consists of collaged images.

The image was taken during a walk in my neighborhood. The tree is just down the path from my house. It’s not that remarkable. What makes it attractive is the reflection. I’ve seen it with reflections before but this time the water pool was larger than I’ve seen it before and that what made me see this image.  Plus, there were no leaves making it more effective as a graphic element.

Our eyes change and we see things differently. I like to carry a lightweight camera because having to go get your larger camera, tripod, etc makes it more difficult to capture things intuitively and spontaneously.

Regarding tripods, lenses, etc. who wants to take all that for a stroll down the neighborhood path! This photograph would not exists if I didn’t have a simple lightweight camera. I wasn’t going to take my medium format digital camera to do this ! A small lightweight camera opens another way of seeing and capturing what you see.

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Alain Briot


Selling your work like a pro – becoming part of the 20%

Selling your work like a pro: becoming part of the 20%

1 – Introduction
I am often asked for recommendations by students who want to sell their work and generate income from the sale of their photographs.  Usually these questions come from photographers who have tried to sell their work and have been unsuccessful and are wondering what to do next.

2 – Recommendations
My first recommendations is to revise your price list.  Most photographers get it all wrong, to put it bluntly, when it comes to pricing their work.  My second recommendation is to learn salesmanship.  There are 2 types of sales: the first one generates a few % of my income, the second one generates 95% to 99 % of my income.  Most photographers only make the first type of sales which means they miss out, or lose if you prefer, 95 to 99% of their potential income.

My third recommendation is to work on your marketing plan.  Many photographers start selling in restaurants, bars or other public places in addition to their website. Those are the starting points of most artists.  Unfortunately they are not enough to generate regular or significant sales.

To achieve regular significant sales you need to have a professional marketing plan tailored for your work, a plan designed to meet your financial goals and fit in your schedule.  This is something that has to be worked out in order to become successful.  Without a marketing plan you are left hoping for the best which is how most artists do it.  This does not work and this is why most artists make very little, if any, money from the sale of their work.

3 – Becoming part of the 20%
The goal is to become part of the 20%.  In any business, be it photography or any other product or service, 20% of the businesses take home 80% of the income.  The other 80% share the 20% of the income that is left.  In other words they get the crumbs while the top 20% share the pie, so to speak.

To make real money you need to be part of these 20%.  This is true whether you want to do this part-time or full-time, and whether you want to do this now or later.

You need to learn, study and practice marketing to become part of these 20%.  If you try to reinvent the wheel (meaning try to learn how to market your work on your own), it is virtually impossible to join the 20% because you have no idea what successful businesses are doing marketing-wise. They play close to the chest and what you see from the outside is not representative of what takes place behind the scene.  In fact what you see is often misleading because while you may see their marketing materials, you have no idea  what their marketing plan is.

The purpose of studying marketing and salesmanship is to give you this knowledge, bridge the gap between you and the 20 percenters and let you see what is really going on behind the doors so to speak.  The goal is to learn what the 20% are doing that you are not privy to so that you can become one of them.

4 – The 2016 Alain Briot Marketing Seminar
I will be teaching a Fine Art Photography Marketing Seminar in Spring 2016. This will be a 2 day event and it will take place in Peoria, Arizona.  Peoria is 30 minutes north of the Phoenix airport.

I will be teaching marketing techniques not featured in my Marketing Books. These are techniques I started using after I wrote the book (the book was written in 2009 a long time ago by current marketing standards).

This event is by invitation and places will be limited. I did not teach a marketing seminar for several years so I expect this one to fill out immediately.

If you are interested send me an email at: alain@beautiful-landscape.com with Marketing Seminar in the subject line. A discounted special offer will be available for the first registration.

I will email you detailed information about this Seminar upon receipt of your email.  This information will have a list of all the subjects I will cover during the Seminar.

Alain Briot

Workshop Exercises

Workshop Exercises

Natalie and I teach instruction-focused workshops.  During each workshop we give you Skills Enhancement Exercises to complete.   These exercises cover a wide variety of topics and their goal is to help you develop and refine your skills in every aspect of fine art photography.

These exercises vary from workshop to workshop and are therefore unique to each workshop.  We design these exercises to meet the specific goals of each workshop. For example, if the focus of the Workshop is Light, Composition, Creativity and Personal Style, the Skills Enhancement Exercises for this workshop will focus specifically on these 4 areas.

These exercises will then include the following:

1 – Learning about the different types of natural light and how to use them
2 – Studying and using the different types of compositions
3 – learning how to use a handheld viewfinder to compose your photogrpahs (this viewfinder is given to you during the workshop)
4 – Energizing your creativity
5 – Developing a personal style.

All these exercises are presented during the workshop through lectures given by Natalie and myself.  We also give you printed handouts for each set of exercises as well as a syllabus for the course and a detailed itinerary (you get a lot of documents to study with during our workshops)!

That way you do not need to take notes unless you want to. The handouts have everything on them. You then practice these exercises during the workshop under the guidance of Natalie and myself. We are here to help you and to offer suggestions and guidance.

Finally, most participants and students scontinue practicing with these exercises and using the handouts after the workshop.

Right now we still have seats available for our Spring 2016 workshop, but they is filling out quickly because participants are filling out their 2016 workshop schedules.  YOu can see which workshops still have open seats on teh Workshops Description page:


Alain Briot
Author of
– Mastering Landscape Photography
– Mastering Composition, Creativity and Personal Style
– Marketing Fine Art Photography
– How Photographs are Sold


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